Although active as a gallerist for over ten years now, Daniela Steinfeld originally had her roots in art as a photographer. Her self-stagings call to mind the early works of Bruce Nauman, Cindy Sherman, or Erwin Wurm. In her self-portrayals, Steinfeld assumes absurd, unusual poses and thus creates surreal scenarios. A cross-section of Daniela Steinfeld’s oeuvre is presented in the exhibition Full Horn at the Teilelager of FAHRBEREITSCHAFT. The artist curated the exhibition herself. How does an artist who no longer works as one present her own retrospective? What significance does her work have today?
Daniela Steinfeld: Full Horn is the last exhibition held in the former Teilelager of FAHRBEREITSCHAFT. The space will be rented out afterward.

Axel Haubrok

List of works

Daniela Steinfeld
Hunter, 1999/2000

Daniela Steinfeld
Affengeil, 1999

Daniela Steinfeld
Blue in the face, 1999

Daniela Steinfeld
Mr. Red, 1999

Daniela Steinfeld
Red rooster, 1999

Daniela Steinfeld
Relaxed, alert, undisturbed, 1999

Daniela Steinfeld
Special pleasure (Sag), 1999

Daniela Steinfeld
Sun king, 1999

Daniela Steinfeld
Wave, 1999

Daniela Steinfeld
Hey!, 1997/1998

Daniela Steinfeld
Homecomming queen, 1997/1998

Daniela Steinfeld
Jimmy, 1997/1998

Daniela Steinfeld
Reata, 1997/1998

Daniela Steinfeld
Rio Grande, 1997/1998

Daniela Steinfeld
Rock (Thumb up), 1997/1998

Daniela Steinfeld
van Horn, 1997/1998