Karthik Pandian & Mathias Poledna, 1991 (2010)
Karthik Pandian & Mathias Poledna, 1991 (2010)
Karthik Pandian & Mathias Poledna, 1991 (2010)
Karthik Pandian & Mathias Poledna
1991, 2010

The Collection

curated by Krist Gruijthuijsen

April 23 – December 3, 2023
FAHRBEREITSCHAFT, Berlin

Opening: April 23, 2023, 4 – 7 pm
Gallery Weekend: April 30, 2023, 11 am – 6 pm
Long Night of Pictures Lichtenberg: September 1, 2023, 6 – 10 pm
A Sunday Afternoon. with artworks, performances and open studios (Berlin Art Week): September 17, 2023, 1 – 8 pm
Finissage: December 3, 2023, 2 – 7 pm

Eleanor Antin, Edgar Arceneaux, Martin Boyce, Stanley Brouwn, Christoph Büchel, Cezary Bodzianowski, Phil Collins, Martin Creed, Willem de Rooij, Wim Delvoye, Sara Deraedt, Jason Dodge, Marcel Duchamp, Jimmie Durham, Olafur Eliasson, Elmgreen & Dragset, Cerith Wyn Evans, Hans-Peter Feldmann, Rodney Graham, Jeppe Hein, Georg Herold, Judith Hopf, Šejla Kamerić, Martin Kippenberger, Carolyn Lazard, Sophie Macpherson, Lone Haugaard Madsen, Piero Manzoni, Park McArthur, Jerry McMillan, Rodney McMillian, Jonathan Monk, Simon Mullan, Bruce Nauman, Cady Noland, Paulina Ołowska, Roman Opalka, Susan Philipsz, Mathias Poledna & Karthik Pandian, Charlotte Posenenske, Stephen Prina, Gerhard Richter, Michael Riedel & Dennis Loesch, Klaus Rinke, Martha Rosler, Gregor Schneider, Tino Sehgal, David Shrigley, Andreas Slominski, Florian Slotawa, Simon Starling, Diamond Stingily, SoiL Thornton, Miroslav Tichý, Wolfgang Tillmans, Félix González-Torres, Rosemarie Trockel, Luc Tuymans, Daan van Golden, Danh Vo, Jeff Wall, Julian Wasser, Hans Weigand, Franz West, Christopher Williams, Ian Wilson, Jane & Louise Wilson, Michel Würthle, Haegue Yang, Heimo Zobernig

Foreground: Jonathan Monk, The Distance Between Me and You (2001–2002) Background: Wim Delvoy, Nr. 30 ulum ubud cottages (1999) Walls: Michel Würthle, Wallpaper Schlamassel Diary (2018)
Foreground: Jonathan Monk, The Distance Between Me and You (2001–2002) Background: Wim Delvoy, Nr. 30 ulum ubud cottages (1999) Walls: Michel Würthle, Wallpaper Schlamassel Diary (2018)
Foreground: Jonathan Monk, The Distance Between Me and You (2001–2002) Background: Wim Delvoy, Nr. 30 ulum ubud cottages (1999) Walls: Michel Würthle, Wallpaper Schlamassel Diary (2018)
Foreground: Jonathan Monk
The Distance Between Me and You, 2001–2002

Background: Wim Delvoy
Nr. 30 ulum ubud cottages, 1999

Walls: Michel Würthle
Wallpaper Schlamassel Diary, 2018
Eleanor Antin, 100 Boots (1971/1973)
Eleanor Antin, 100 Boots (1971/1973)
Eleanor Antin, 100 Boots (1971/1973)
Eleanor Antin
100 Boots, 1971/1973
Christoph Büchel, F-16 (2003)
Christoph Büchel, F-16 (2003)
Christoph Büchel, F-16 (2003)
Christoph Büchel
F-16, 2003
Susan Philipsz, Rosa (2002)
Susan Philipsz, Rosa (2002)
Susan Philipsz, Rosa (2002)
Susan Philipsz
Rosa, 2002
Courtesy Susan Philipsz / Konrad Fischer Galerie
Judith Hopf, Flock of Sheep (2012–2021)
Judith Hopf, Flock of Sheep (2012–2021)
Judith Hopf, Flock of Sheep (2012–2021)
Judith Hopf
Flock of Sheep, 2012–2021
Marcel Duchamps Interview, Courtesy BBC Studios (1968)
Marcel Duchamps Interview, Courtesy BBC Studios (1968)
Marcel Duchamps Interview, Courtesy BBC Studios (1968)
Marcel Duchamps Interview, 1968
Courtesy BBC Studios
Hans-Peter Feldmann, Kissen (2015)
Hans-Peter Feldmann, Kissen (2015)
Hans-Peter Feldmann, Kissen (2015)
Hans-Peter Feldmann
Kissen, 2015
The Collection, installation view
The Collection, installation view
The Collection, installation view
The Collection
installation view
The Collection, installation view
The Collection, installation view
The Collection, installation view
The Collection
installation view
Forerground: Franz West, Narcissus Table (2003) Background: Roman Opalka, 1965 / 1 – infinity self portraits (2008)
Forerground: Franz West, Narcissus Table (2003) Background: Roman Opalka, 1965 / 1 – infinity self portraits (2008)
Forerground: Franz West, Narcissus Table (2003) Background: Roman Opalka, 1965 / 1 – infinity self portraits (2008)
Forerground: Franz West
Narcissus Table, 2003

Background: Roman Opalka
1965 / 1 – infinity self portraits, 2008
Roman Opalka, 1965 / 1 – infinity self portraits (2008)
Roman Opalka, 1965 / 1 – infinity self portraits (2008)
Roman Opalka, 1965 / 1 – infinity self portraits (2008)
Roman Opalka
1965 / 1 – infinity self portraits, 2008
Forerground: Jeppe Hein, Mirror Angle (2005) Background: Rodney Graham, Posters for Interiors, The Berlin Studies of Jacob and Wilhelm Grimm, Drawings Brüder Grimm-Museum, Kassel (1993)
Forerground: Jeppe Hein, Mirror Angle (2005) Background: Rodney Graham, Posters for Interiors, The Berlin Studies of Jacob and Wilhelm Grimm, Drawings Brüder Grimm-Museum, Kassel (1993)
Forerground: Jeppe Hein, Mirror Angle (2005) Background: Rodney Graham, Posters for Interiors, The Berlin Studies of Jacob and Wilhelm Grimm, Drawings Brüder Grimm-Museum, Kassel (1993)
Forerground: Jeppe Hein
Mirror Angle, 2005

Background: Rodney Graham
Posters for Interiors, The Berlin Studies of Jacob and Wilhelm Grimm, Drawings Brüder Grimm-Museum, Kassel, 1993
The Collection, installation view
The Collection, installation view
The Collection, installation view
The Collection
installation view
Left: Paulina Olowska, Pioneer Alphabet Letters XLR (2002) Right: Martin Kippenberger, Das Ende des Alphabets (1990)
Left: Paulina Olowska, Pioneer Alphabet Letters XLR (2002) Right: Martin Kippenberger, Das Ende des Alphabets (1990)
Left: Paulina Olowska, Pioneer Alphabet Letters XLR (2002) Right: Martin Kippenberger, Das Ende des Alphabets (1990)
Left: Paulina Olowska
Pioneer Alphabet Letters XLR, 2002

Right: Martin Kippenberger
Das Ende des Alphabets, 1990
Christoph Büchel, Untitled (Düsseldorf) (2001/2006)
Christoph Büchel, Untitled (Düsseldorf) (2001/2006)
Christoph Büchel, Untitled (Düsseldorf) (2001/2006)
Christoph Büchel
Untitled (Düsseldorf), 2001/2006
Diamond Stingily, Newspapers (2022)
Diamond Stingily, Newspapers (2022)
Diamond Stingily, Newspapers (2022)
Diamond Stingily
Newspapers, 2022
Left: Claire Fontaine, Aspen (2009) Right: Rodney McMillian, Untitled (Landscape II), (2004)
Left: Claire Fontaine, Aspen (2009) Right: Rodney McMillian, Untitled (Landscape II), (2004)
Left: Claire Fontaine, Aspen (2009) Right: Rodney McMillian, Untitled (Landscape II ), (2004)
Left: Claire Fontaine
Aspen, 2009

Right: Rodney McMillian, Untitled (Landscape II ), 2004
Foreground: Cady Noland, Blank for a Serial (1989) Background: Christopher Williams, 332 min 17 sec. (2003)
Foreground: Cady Noland, Blank for a Serial (1989) Background: Christopher Williams, 332 min 17 sec. (2003)
Foreground: Cady Noland, Blank for a Serial (1989) Background: Christopher Williams, 332 min 17 sec. (2003)
Foreground: Cady Noland
Blank for a Serial, 1989

Background: Christopher Williams
332 min 17 sec., 2003
Left: Carolin Lazard, Cinema 1, Cinema 2 (2020) Right: Martha Rosler, God Bless America! (2006)
Left: Carolin Lazard, Cinema 1, Cinema 2 (2020) Right: Martha Rosler, God Bless America! (2006)
Left: Carolin Lazard, Cinema 1, Cinema 2 (2020) Right: Martha Rosler, God Bless America! (2006)
Left: Carolin Lazard
Cinema 1, Cinema 2, 2020

Right: Martha Rosler
God Bless America!, 2006
The Collection, installtion view (Carolyn Lazard, 2020)
The Collection, installtion view (Carolyn Lazard, 2020)
The Collection, installtion view (Carolyn Lazard, 2020)
Carolyn Lazard
Cinema 1, Cinema 2, 2020
Piss on Pity, 2020
TV2 (Against Metaphor), 2020
Dhan Vo, Last letter of Théophane Vénard to his father before he was decapitated copied by Phung Vo (2011)
Dhan Vo, Last letter of Théophane Vénard to his father before he was decapitated copied by Phung Vo (2011)
Dhan Vo, Last letter of Théophane Vénard to his father before he was decapitated copied by Phung Vo (2011)
Danh Vo
Last letter of Théophane Vénard to his father before he was decapitated copied by Phung Vo, 2011
The Collection, installation view (Bruce Nauman, 1968–1969)
The Collection, installation view (Bruce Nauman, 1968–1969)
The Collection, installation view (Bruce Nauman, 1968–1969)
Bruce Nauman
Bouncing in the Corner No.1, 1968
Flesh to White to Flesh to Black, 1968
Slow Angle Walk (Beckett Walk), 1968
Stamping in the Studio, 1968
Walk with Contraposto, 1968
Wall-Floor Positions, 1968
A Violin tuned D.E.A.D., 1969
Bouncing in the Corner, No. upside down, 1969
Lip Sync, 1969
Manipulating a Fluorescent Tube, 1969
Pacing Upside Down, 1969
Revolving Upside Down, 1969
Gregor Schneider, Hannelore Reuen (Alte Hausschlampe) (2001)
Gregor Schneider, Hannelore Reuen (Alte Hausschlampe) (2001)
Gregor Schneider, Hannelore Reuen (Alte Hausschlampe) (2001)
Gregor Schneider
Hannelore Reuen (Alte Hausschlampe), 2001
Foreground: Heimo Zobernig, eS C H EIS Es (Gitarre Hans Weigand) (1993) Background: Hans Weigand & Franz West, FRANZ WEST / HANS WEIGAND’S VIDEO EDITION der Strenge Kurator – Otto Kobalek kuratiert die Sammlung West (1994) Walls: Martin Boyce, When Now is Night (2004)
Foreground: Heimo Zobernig, eS C H EIS Es (Gitarre Hans Weigand) (1993) Background: Hans Weigand & Franz West, FRANZ WEST / HANS WEIGAND’S VIDEO EDITION der Strenge Kurator – Otto Kobalek kuratiert die Sammlung West (1994) Walls: Martin Boyce, When Now is Night (2004)
Foreground: Heimo Zobernig, eS C H EIS Es (Gitarre Hans Weigand) (1993) Background: Hans Weigand & Franz West, FRANZ WEST / HANS WEIGAND’S VIDEO EDITION der Strenge Kurator – Otto Kobalek kuratiert die Sammlung West (1994) Walls: Martin Boyce, When Now is Night (2004)
Foreground: Heimo Zobernig
eS C H EIS Es (Gitarre Hans Weigand), 1993

Background: Hans Weigand & Franz West
FRANZ WEST / HANS WEIGAND’S VIDEO EDITION der Strenge Kurator – Otto Kobalek kuratiert die Sammlung West, 1994

Walls: Martin Boyce
When Now is Night, 2004
Mathias Poledna & Karthik Pandian, 1991 (2010)
Mathias Poledna & Karthik Pandian, 1991 (2010)
Mathias Poledna & Karthik Pandian, 1991 (2010)
Mathias Poledna & Karthik Pandian
1991, 2010
The Collection, installation view
The Collection, installation view
The Collection, installation view
Left: Christopher Williams
Kodak Three Point Reflection Guide, 1968 ... (Meiko Smiling), 2005

Middle: Willem de Rooij
Bouquet V, 2010

Right: Jeroen de Rijke & Willem de Rooij
Caucasian Rag, Shirwan, Baku, 1800, 2002
Willem de Rooij, Bouquet V (2010)
Willem de Rooij, Bouquet V (2010)
Willem de Rooij, Bouquet V (2010)
Willem de Rooij
Bouquet V, 2010
Foreground: Klaus Rinke, Mittelmeer (1969) Background: Christopher Williams, Kodak Three Point Reflection Guide, 1968 ... (Meiko Smiling) (2005)
Foreground: Klaus Rinke, Mittelmeer (1969) Background: Christopher Williams, Kodak Three Point Reflection Guide, 1968 ... (Meiko Smiling) (2005)
Foreground: Klaus Rinke, Mittelmeer (1969) Background: Christopher Williams, Kodak Three Point Reflection Guide, 1968 ... (Meiko Smiling) (2005)
Foreground: Klaus Rinke
Mittelmeer, 1969

Background: Christopher Williams
Kodak Three Point Reflection Guide, 1968 ... (Meiko Smiling), 2005
The Collection, installation view
The Collection, installation view
The Collection, installation view
Left: Klaus Rinke
Mittelmeer, 1969

Middle: Félix Gonzalez-Torres
"Untitled" (for Parkett), 1994

Right: Wolfgang Tillmans
Saros Wand, 1999
Left: Félix Gonzalez-Torres, "Untitled" (for Parkett) (1994) Right: Wolfgang Tillmans, Saros Wand (1999)
Left: Félix Gonzalez-Torres, "Untitled" (for Parkett) (1994) Right: Wolfgang Tillmans, Saros Wand (1999)
Left: Félix Gonzalez-Torres, "Untitled" (for Parkett) (1994) Right: Wolfgang Tillmans, Saros Wand (1999)
Left: Félix Gonzalez-Torres
"Untitled" (for Parkett), 1994

Right: Wolfgang Tillmans
Saros Wand, 1999
Martin Boyce, Evaporated Pools (2009)
Martin Boyce, Evaporated Pools (2009)
Martin Boyce, Evaporated Pools (2009)
Martin Boyce
Evaporated Pools, 2009
Cesary Bodzianowski, The Art of Hunting with Birds (2005)
Cesary Bodzianowski, The Art of Hunting with Birds (2005)
Cesary Bodzianowski, The Art of Hunting with Birds (2005)
Cesary Bodzianowski
The Art of Hunting with Birds, 2005
The Collection, installation view (Georg Herold, 1986–2015)
The Collection, installation view (Georg Herold, 1986–2015)
The Collection, installation view (Georg Herold, 1986–2015)
Georg Herold
Globus, 1986
International (ink on wood with electrical tape), 1988
O.T., 1988
O.T., 1988
O.T., 1989
Gehörntes Gehörn, 1990
O.T., 1990
Rekonstruktion einer Dachlatte, 1994
Lost in Tolerance, 2006
Vase, 2015
David Zink Yi, Becoming Another (diverse objects) (2018–2023)
David Zink Yi, Becoming Another (diverse objects) (2018–2023)
David Zink Yi, Becoming Another (diverse objects) (2018–2023)
David Zink Yi
Becoming Another (diverse objects), 2018–2023
Courtesy David Zink Yi / König Galerie
The Collection, installation view (Jonathan Monk, 2004–2022)
The Collection, installation view (Jonathan Monk, 2004–2022)
The Collection, installation view (Jonathan Monk, 2004–2022)
Jonathan Monk
A Ten Year Project, 2004–2022
The Collection, installation view (Jonathan Monk, 2004–2022)
The Collection, installation view (Jonathan Monk, 2004–2022)
The Collection, installation view (Jonathan Monk, 2004–2022)
Jonathan Monk
A Ten Year Project, 2004–2022
Foreground: Simon Starling, Waratah (Artichoke, Kogle, Zapfen, Pomme de Pin) (2001) Background: Haegue Yang, Storage Piece (2003)
Foreground: Simon Starling, Waratah (Artichoke, Kogle, Zapfen, Pomme de Pin) (2001) Background: Haegue Yang, Storage Piece (2003)
Foreground: Simon Starling, Waratah (Artichoke, Kogle, Zapfen, Pomme de Pin) (2001) Background: Haegue Yang, Storage Piece (2003)
Foreground: Simon Starling
Waratah (Artichoke, Kogle, Zapfen, Pomme de Pin), 2001

Background: Haegue Yang
Storage Piece, 2003
Florian Slotawa, Gesamtbesitz (1995–2000)
Florian Slotawa, Gesamtbesitz (1995–2000)
Florian Slotawa, Gesamtbesitz (1995–2000)
Florian Slotawa
Gesamtbesitz, 1995–2000

worklist

exterior: lawn

christoph büchel
f-16, 2003

stefan kern
sven, 1998

susan philipsz
rosa, 2002
courtesy susan philipsz / konrad fischer galerie

house 1

eleanor antin
100 boots, 1971/1973

stanley brouwn
identifications (one step), 1970
amsterdam – berlin, undated

wim delvoy
nr. 30 ulum ubud cottages, 1999

jonathan monk
the distance between me and you, 2001–2002

michel würthle
wallpaper schlamassel diary, 2018

house 4: façade

jonathan monk
a ten year project: #9 a number of points randomly connected berlin 2012, 2012

staircase

christoph büchel
untitled (düsseldorf), 2001/2006

jason dodge
and then i heart your movements, 2002

first floor

claire fontaine
passe-partout (aspen), 2009

rodney mcmillian
untitled (landscape II), 2004

diamond stingily
newspapers, 2022

“teilelager”

olafur eliasson
highlighter, 1999

carolin lazard
cinema 1, cinema 2, 2020
piss on pity, 2020
tv2 (against metaphor), 2020

park mcarthur
passive vibration durometer facts 8, 2018

cady noland
blank for a serial, 1989

martha rosler
god bless america!, 2006

soil thornton
who makes who at home, 2021

christopher williams
332 min 17 sec, 2003

house 6

georg herold
globus, 1986
new york hostess, 1986
o.t. (würfel), 1987
international (ink on wood with electrical tape), 1988
o.t., 1988
o.t., 1988
o.t., 1988
o.t., 1989
ohne titel (E. P. N./WTC), 1987
gehörntes gehörn, 1990
kluge bauern essen kleine kartoffeln, 1990
nylons, 1990
o.t., 1990
rekonstruktion einer dachlatte, 1994
teaching sculpture, 2001
“the kind of mind”, 2001
lost in tolerance, 2006
fliegende latte, 2011
o.t., 2011
vase, 2015
wasserspiegel, 1995/2018

house 8

jonathan monk
a ten year project: #1 meeting no. 10, 2004
a ten year project: #2 II/X, 2005
a ten year project: #3 almost everything is connected, version no. 2, 2006
a ten year project: #4 4 sol lewitts, 3 ed ruschas, 2 lawrence weiners and a robert barry, 2007
a ten year project: #5 dear painter paint me again and again (V), 2008
a ten year project: #6 the odd couple (small german version), 2009
a ten year project: #7 ONIK XES, 2010
a ten year project: #8 the documentation of a life and of a death, 2011–2012
a ten year project: #9 a number of points randomly connected berlin 2012, 2012
a ten year project: #10 what remains (a ten year project) 2013–2022, 2013–2022

house 10: façade

michael riedel & dennis loesch
SK N E ST SSE, 2003

ground floor

marcel duchamps interview, 1968
courtesy bbc studios

hans peter feldmann
kissen, 2015

judith hopf
flock of sheep, 2013–2021

staircase

judith hopf
vinegar branch resembling a cherry tree branch, 2021

jeff wall
untitled, 1997

first floor

sara deraedt
electrolux, 2017
untitled, 2021

elmgreen & dragset
gefundene identität, 2009

cerith wyn evans
leaning horizon (neon 6500 kelvin, 2.1 m), 2015

daan van golden
bb + pp, 2015

rodney graham
posters for interiors, the berlin studies of jacob and wilhelm grimm, drawings brüder grimm-museum, kassel, 1993

jeppe hein
mirror angle, 2005

judith hopf
erschöpfte vase 32, 2020

sejla kameric’
maze 40-ss-002, 2017

martin kippenberger
das ende des alphabets, 1990

piero manzoni
merda d’artista, 1963/2013

jerry mcmillan
ed covered with 12 of his books, 1970
ed ruscha with six of his books balanced on his head, 1970

paulina olowska
pioneer alphabet letters XLR, 2002

roman opalka
1965 / 1 – infinity self portraits, 2008

gerhard richter
ulrike meinhof, 2015

david shrigley
wall mounted ear, 2011

miroslaw tichy
untitled, undated

rosemarie trockel
plus – minus, 1987

luc tuymans
spiegel II, 1992

julian wasser
duchamps playing chess with a nude (eve babitz), 1963

franz west
narcissus table, 2003

ian wilson
circle on the floor #14, 1968
the pure awareness of the absolute in art / a discussion 15:00, april 28, 2013, 2013

house 12: façade

lone haugaard madsen
raum #384 poster, 2011/2021

house 12 / right entrance: “heizungskeller”

bruce nauman
bouncing in the corner no.1, 1968
flesh to white to flesh to black, 1968
slow angle walk (beckett walk), 1968
stamping in the studio, 1968
walk with contraposto, 1968
wall-floor positions, 1968
a violin tuned d.e.a.d., 1969
bouncing in the corner, no. upside down, 1969
lip sync, 1969
manipulating a fluorescent tube, 1969
pacing upside down, 1969
revolving upside down, 1969

gregor schneider
haus u r 1985–1997 (gequält für udo kittelmann), 1997
hannelore reuen (alte hausschlampe), 2001

danh vo
last letter of théophane vénard to his father before he was decapitated copied by phung vo, 2011

house 12 / left entrance: ground floor

martin boyce
when now is night, 2004

stephen prina
PUSH COMES TO LOVE, untitled, 1999–2017, the entire content of a can of enamel spray paint, 2017

klaus rinke
ich stelle mich dem kritischen publikum, 1969

hans weigand & franz west
FRANZ WEST / HANS WEIGAND’S VIDEO EDITION der strenge kurator – otto kobalek kuratiert die sammlung west, 1994

heimo zobernig
eS C H EIS Es (gitarre hans weigand), 1993

first floor / hallway

simon mullan
kleiner raum, 2014

“kantine”

félix gonzalez-torres
“untitled” (for parkett), 1994

mathias poledna & karthik pandian
1991, 2010

jeroen de rijke & willem de rooij
caucasian rag, shirwan, baku, 1800, 2002

klaus rinke
mittelmeer, 1969

willem de rooij
bouquet v, 2010

tino seghal
this is propaganda, 2002

wolfgang tillmans
saros wand, 1999

christopher williams
kodak three point reflection guide, 1968 … (meiko smiling), 2005

second floor / hallway

jimmi durham
the world, 2017

andreas slominski
die erde zur gleichen zeit halb so klein und doppelt so groß, 2005–2014

“kulturraum”

martin creed
work #270: the lights off, 2001

“bar”

phil collins
el karaoke de los smiths, 2004
el mundo no escuchara, 2004
hang the dj, 2004

cerith wyn evans
adorno centenary “the stars down to earth” (pub. 1974), 2003

sophie macpherson
bars and cafes, 2015

jane & louie wilson
member’s telephones, parliament, 1999

back staircase

martin boyce
evaporated pools, 2009

basement / “kartoffelkeller”

cesary bodzianowski
the art of hunting with birds, 2005

exterior: lawn / gas station

david zink yi
becoming another (diverse objects), 2018–2023
courtesy david zink yi / könig galerie

garage 13

edgar arceneaux
morgan fisher’s peugeot, 2006

florian slotawa
gesamtbesitz, 1995–2000

garage 14

charlotte posenenske
vierkantrohre serie d, 1967/2015

simon starling
waratah (artichoke, kogle, zapfen, pomme de pin), 2001

haegue yang
storage piece, 2003